Add to Cart.
novel | Definition, Elements, Types, & Facts | rijywevy.tk
Product Highlights For Josephine Evans, home was on the stages of the world where she spent 30 years establishing herself as one of the finest actresses of her generation. Forced to return to America, Josephine finds herself playing the most important role of her life and learning the true meaning of coming home. About This Item We aim to show you accurate product information. Manufacturers, suppliers and others provide what you see here, and we have not verified it.
See our disclaimer. For Josephine Evans, home was on the stages of the world where she spent thirty years establishing herself as one of the finest actresses of her generation. Josephine lived above and beyond the reach of conventional definitions of who and what an African American diva could be, and her legions of loyal fans loved her for it. Suddenly the target of angry protests aimed at the country she had never really felt was her own, Josephine is forced to return to America to see if she can create a new definition of home.
Hoping her friend Howard Denmond is as good as his word when he promises to engineer her triumphant return to the European stage, Josephine sets out to increase her nest egg by selling the house her mother willed her, only to find the long-neglected property has become home to squatters who have no intention of leaving. But an unexpected reunion with an old friend offers Josephine a chance to set things right. Spurning an offer from unscrupulous land developer Greer Woodruff, Josephine gathers new friends around her, including Victor Causey, a lawyer whose addictions left him homeless but still determined to protect his mother; Louie Baptiste, a displaced New Orleans chef hoping to return to the city he loves; and Aretha Hargrove, recovering from her role in the same scandal that sent Zora running for cover.
As Greer gets serious about her plan to tear the community apart, Josephine finds herself playing the most important role of her life, showing her neighbors what courage really is and learning the true meaning of coming home. Customer Reviews. Her role as caretaker for him throughout the series takes a constant toll on Astrid. Throughout much of the series, Astrid is in an ongoing relationship with Sam Temple.
This relationship continues after the barrier falls. Neutral Caine born David Temple is the twin brother of Sam Temple and a primary antagonist throughout the series. Narcissistic, intelligent, and ruthless, Caine seeks power over others and attempts to take control of the FAYZ multiple times throughout the series. Caine gains supernatural powers in the form of Telekinesis. He is one of the most powerful mutants in the FAYZ. Caine is also extremely charismatic and can often trick people into doing what he wants.
He has a recurring romantic interest in Diana, which results in the birth of their child, Gaia. Throughout the series, Caine becomes increasingly heroic, ultimately joining Sam in the fight against the Gaiaphage. Caine eventually dies in the final confrontation with the monster and the destruction of the barrier. Her knowledge of how to manipulate people makes her a valuable asset and political ally. Diana often plays the part of both protagonist and antagonist in the series.
With an intellect rivaling that of Astrid, Diana knows just what people want to hear and can use them to get what she wants. Diana is gifted a supernatural power in the form of "reading". She is able to read the strength of other mutants within the FAYZ. Although she is unable to tell what their specific mutation is, she can determine the extent of their power and how much of a threat they will be.
Starting as one of Caine's henchmen, she slowly starts to try and distance herself from villainy as the series goes on. Diana is in a strained relationship with Caine through most of the series, thus motivating her switch between hero and villain multiple times. Gifted with the power to heal any injury, Lana becomes an invaluable asset to the kids of Perdido Beach. Brooding, sulky, and sometimes hostile, Lana views the role of healer to be a burden.
Lana is also one of the few to have a profound connection with the Gaiaphage, making it a constant adversary for her. Throughout the series, Lana is seen mostly as a loner and often goes on missions of her own. Protagonist Dekka Talent is a fifteen-year-old, tall girl. She is, according to Brianna, curvy although she doesn't "show it off". She does not dress very femininely and prefers to wear what she finds comfortable. Dekka is found intimidating by most of the kids because of not only her power and close relationship with Sam, but also for her strong physique.
- William Richard Lethaby. His Life and Work 1857–1931.
- Womens Organizations and Democracy in South Africa: Contesting Authority?
- A Tale of Two Cities - Wikiquote.
Dekka is an African-American girl with the ability to 'cancel gravity' from a small area, causing everything in the area to be lifted into the air. She was part of the Coates 'freaks' who were trapped by Caine. She, along with Brianna and Taylor, were saved by Sam. Dekka is a very internal person who does not talk about herself, especially not about her thoughts or feelings.
Because of this, people consider her threatening and scary, but she's really not. She claims that being a little scary at Coates Academy isn't a bad thing. She's tough and always there to help, even in dangerous situations. She is a lesbian and has a crush on Brianna. She has been faced with homophobia and racism, but she is comfortable in her own skin. In the series, it is discovered that she fancies Brianna, who rejects her. For a while, Dekka and Brianna don't talk due to the awkwardness between the two.
She is one of Sam's best friends, and helps him fight against Caine and any other threats. Determined, sensitive, and brave, Edilio is one of the toughest people of the FAYZ despite having no supernatural powers. He is the most handy, often knowing how to use machinery, tools, and weapons.
He is shown as Sam Temple's right-hand man, and later as his equal, showing extreme loyalty and resolve in the most dangerous of situations. Edilio is often mistaken for Mexican, which becomes a running gag throughout the series. Often uncredited in many of the successful operations in the FAYZ, Edilio is very unassuming and humble. Edilio is also one of the few gay characters in the series, revealed to have a relationship with "The Artful" Roger in the later installments. He and Sam love to surf and it is shown that they understand and care for each other.
Quinn is an only child and lives with his parents. When the FAYZ occurs, Quinn becomes scared and expresses this through mean and rude comments towards the characters and mainly Edilio. Quinn later betrays Sam and Astrid by telling Caine where they were, leading to Sam being tortured by Caine.
Quinn frees him and apologizes, saying that he did not know what Caine would do. Quinn spends the rest of the novel trying to make up for betraying Sam.
He plays a big part in defending the Daycare in the Thanksgiving battle. In the second novel, Quinn and Sam grow apart not seeing each other at all until the middle of the book. It is then were Quinn shows a love interest for Lana. He also discovers that you can produce food in the FAYZ by fishing. Quinn then becomes head fisherman in the FAYZ and has a respectable position.
He is referred to as 'the Fisherman'. He grew much since the first book, showing in how he stood up to Caine to defend Sam towards the end of the series. In the finale book, Sam calls Quinn for help to break him out of the hospital and Quinn helps him. Astrid said that Quinn has grown a lot from the first book and has become a better person. Antagonist and the darkest character in the series, Drake is described as a " Sadistic, vile, and highly immature, Drake begins the series as Caine's right hand.
He has a profound disdain for those who were granted supernatural powers, bragging that he could beat any with his will alone. Drake also is the nemesis of Sam Temple, and the two battle many times throughout the series. Early on, Drake pledges himself to the Gaiaphage and receives a gift in the form of a "whip arm", a weapon literally attached to his body. His characteristics include taunting his victims before he attacks and using people's mutations against them.
Seen it All and Done the Rest: A Novel
Drake eventually becomes bonded with Brittney, taking advantage of her immortality, the two share a body. Drake switches bodies multiple times throughout the series before being shot by Sam during the final battle and destruction of the barrier. In Monster , it is revealed that Drake did not actually die at the end of the Gone series. The only baby born in the FAYZ, Gaia is possessed by the Gaiaphage almost immediately after her birth, making her a monster of human creation. Her malice and affinity for carnage make her an immediate threat to the children who live in Perdido Beach.
Gaia gains a supernatural power in the form of "borrowing". Her power is to speak telepathically but she is able to use an ability of any living mutant in the FAYZ. As long as that mutant is alive, Gaia is able to use that same ability. She revels in killing non-mutants and causing as much destruction as possible. Neutral Charles Merriman, more commonly known as "Orc" for his gargantuan size and limited intelligence, is the original school bully in Perdido Beach.
Closely accompanied by his friend Howard at all times, Orc begins the series as an antagonist. His lack of fear and empathy cause him to accidentally kill a girl, Bette, with a baseball bat, an act he struggles with throughout the series. Orc receives a supernatural power after being nearly torn apart by Coyotes. His skin is replaced with gravel, making him impervious to pain and incredibly strong. Orc remains one of the few characters to have a redeeming character arc through the series, eventually quoting scripture and protecting Astrid.
Orc is killed during the final battle with the Gaiaphage and the destruction of the barrier. Reviews have generally been mixed to positive, though many note Gone ' s success in its intended demographic. Mal Peet, for The Guardian , pointed to the series' "rave reviews, most of them posted on websites by teenagers", though noting that such success stemmed from literary sacrifices that made characters into "crude two-dimensional digitisations". Amanda Craig, for The Times , noted that Gone was "heavily influenced by TV series such as Lost and Heroes , and described the book as "Clever but a little too predictable.
Think of a potent mix of Lord of the Flies , Heroes and Lost and you get an idea of the audience this will appeal to. Violent in parts, Grant does not hold back at showing the feral nature of humans when faced with a world without order. Dinah Hall, reviewing Lies for The Sunday Telegraph , also drew comparison with Lord of the Flies and Lost , and wrote: "While it's never going to make it on to the GCSE syllabus, it definitely has the addictive pull of a cult television series I would sell my soul for the next installment. Hunger ought to be required reading for any teenager who thinks adults suck.
Stephen King has also praised the series, writing: "These are exciting, high-tension stories told in a driving, torrential narrative that never lets up. Most of all, there are children I can believe in and root for. This is great fiction. From Wikipedia, the free encyclopedia. Gone series First edition cover of Gone. Sunday Independent. August 25, Western Morning News. July 13, The Sunday Business Post. June 16, The Guardian.
- Seen It All and Done the Rest: A Novel;
- Seen it All and Done the Rest: A Novel - Pearl Cleage - Google Books?
- Interaction and the development of mind?
- Encyclopedia of Nineteenth Century Thought?
- Using an Intranet Portal, Uniform Accounting Charts and Activity Based Accounting to Assist Entrepreneurial Nonprofit Program Management.
Retrieved October 28, The Times. Birmingham Post. The Sunday Telegraph. The Daily Telegraph. Stupid Blog Name. March 14, Archived from the original on October 17, That was the way to look at this. Outside, in front of his home, sits a Toyota Camry hybrid. Camry is his first-ever new car. But cars have changed so much in recent decades that any new one is unrecognizable to him under the hood anyway.
He made a right off his block onto a curvy road that went down a hill. At the end of the hill, he pulled over to the left a little and put his signal on so that he could make a left turn onto the next street. There are a lot of misconceptions about him. He gets that. I still get very frustrated by simple-minded thinking.
These things make me angry, but in my day-to-day life, I just am not angry. He pulled into the middle of the road so that the oncoming car could proceed past him, but that car stopped, too, making its own left. This is what a signal is for. Around then, his editor at The New Yorker suggested to him that he might have some aptitude for essay writing. Suddenly he realized that the arguments and social criticism he wanted to assert, complete with their nuance and exceptions, could live and breathe on their own.
And when he did that, something unexpected happened: Unleashed from the impetus to educate, his fiction became not just better but exceptional. He quickly became as famous for dissing Oprah as he was for writing a great book. The world will forgive you for a lot if you write a great book, but it will not forgive you for dissing Oprah. This was his habit, writing as revenge. When he started writing, a writer could just put his work out into the world without having to explain it.
Promoting his books never bothered Franzen.
He loves an audience, and he loves talking about his work. But now being a writer, particularly one who wanted to be in the public favor, meant that you had to do those things. You had to participate. You had to hang out on social media. He hates social media — dreads it, saw it coming the whole time. It would consist only of things that were personally interesting to you and that suited your own view of the world. Why would a writer mold himself into a product? You take that to its conclusion, and you get Donald Trump. What do those Washington insiders know? What does the elite know?
What do papers like The New York Times know? So he decided to withdraw from it all. I stopped reading reviews because I noticed all I remember is the negatives.
Whatever fleeting pleasure you have in someone applying a laudatory adjective to your book is totally washed away by the unpleasantness of remembering the negative things for the rest of your life verbatim. It might be all right for a novelist to be a recluse. Was it that he was writing nonfiction, too? I get pissed off a little bit. He was directed to some online reading about avoiding road rage, and he found a simple solution: Leave earlier.
He knows it takes eight minutes to get to town from his house, but it could take six, and it could also take Try our new product, Hambien. You avoid the triggers. You know your terrain. That six-page, single-spaced letter to Rafferty? Those midnight four-line sniper rebuttals? Those days are over. In the end, we went birding, just like everyone else. Franzen had seen it, but I had not or would not have known if I had, and also was not looking , and so we drove up the road.
One photographer had, and everyone gathered around to see the digital image of it. I looked. It was a white bird. Franzen gave me a pair of binoculars. He told me to look for a resting bird with my naked eye, to find a recognizable landmark in its tree, then to raise the binoculars to my face, keeping my eyes trained on the tree landmark. I did.